Fine.
One of a small number of bindings commissioned from contemporary bookbinders to celebrate the launch of Megan Rosenbloom’s fascinatingly morbid investigation into the history and mythology of books bound in human skin. Dominic Riley’s binding, in which a human figure is seemingly laid out and dissected before our eyes is not only striking for its design and precise tooling, but also because, if you dare to turn out the lights, you will find that the flayed figure glows in the dark.