CALVERT (Edward)

Ten Spiritual Designs Enlarged from Proofs of the Originals on Copper, Wood and Stone MDCCCXXVII - MDCCCXXXI

Number 6 of 25 copies printed on Japan vellum, with an additional 400 copies on Van Gelder paper. 10 prints after Edward Calvert ‘enlarged from proofs of the originals on copper, wood and stone’, printed in black, title in red and black, section title, borders to engravings and printers device tailpiece in blue, ‘head-bands, tail-pieces and initials’ reproduced from books published by the Eragny Press. 4to., 33 x 26cm, [50pp.] Original publisher’s white paper boards, upper cover lettered in red and black, with original plain paper dustwrapper, spine lettered in black, with original blue paper slipcase. Portland Maine, Thomas Bird Mosher, 1913.

£1,750.00

Fine, jacket faded to spine and with a small chip to head of upper panel, slipcase faded and rubbed at extremities, partially unopened. The special copies of Mosher books printed on Japanese vellum are rarely found in their original paper bindings, and almost never in such fine unrestored condition

A strikingly well-preserved example of one of the most typographically successful of Mosher’s publications, which appeared as item number 8 in the Grolier club’s exhibition ‘A Century for The Century,’ a selection of 100 of the finest printed books of the 20th century. Mosher established something of a reputation for issuing reprints of work without feeling it strictly necessary to obtain the permission of those who owned the rights, leading to his earning the delightful nickname ‘The Pirate Prince of Portland’: Ten Spiritual Designs is a typical example, with the Calvert prints reproduced from photographs, portions of the text taken from the Century Guild Hobby Horse, and even the initial letters pilfered from Pissarro’s Eragny Press.

Stock No.
252149